painting

Edward Jenner in Kensington Gardens

While the imperialist Cecil Rhodes survived a recent campaign to have his statue removed from an Oxford University college, a little known bid to have the statue of an internationally renowned doctor returned to its rightful pedestal in London has been continuous for more than 150 years. Edward Jenner was the country surgeon who proposed in 1798 that a safer way of protecting against smallpox was to inoculate with a disease which affected cattle rather than the smallpox virus itself. Though the Royal Society refused to publish his proposal when it appeared as private paper it became an international sensation. Jenner called his miracle medicine variola vaccinae meaning literally “smallpox of the cow”. Its use soon became known as vaccination. In Jenner’s day it meant only inoculation against smallpox but was later applied to immunization against a great variety of infections in honour of his pioneering work.

 

There were problems ...

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Ever since the astonishing adulation heaped on David Bowie after his death on 10 January I have been mulling over the musical influences on my own life. Bowie meant absolutely nothing to me: his music did not appeal. When the Guardian made his portrait a full front page I, and most of my friends, were astonished. Yet Robert Peston, the former BBC reporter recently moved to ITV, said Bowie would “ have his vote as the most important Briton of our age.” Recognising that what he was writing might be dismissed as “sentimental pap”, Peston felt he could fairly say that Bowie “ probably had as big an influence on me as anyone, not just in respect of music and fashion, but also gender politics and identity.”

 

This set me thinking: while Bowie meant nothing to me, perhaps some other musician had a big influence on me. Bob Dylan maybe. I came to love some of his songs and I regard him as the greatest popular musician of my generation. But I ...

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November

Corbyn and the Cenotaph

GW

The first Cenotaph in Whitehall in 1919 covered in flowers placed by the public.

 

As Remembrance Day approaches, Labour Party supporters who regard  their new leader as something of a loose cannon, will be clutching their red poppies and hoping that Jeremy Corbyn does not commit another political faux pas. Will he attend the commemoration at the Cenotaph in Whitehall on  Sunday? After all, he seems to regard it as a symbol of Imperial pomp commemorating a war between declining Imperialist nations. It is said he once laid a wreath not to the war dead but to those he regarded as victims of police aggression. This time will he wear a white poppy if he does turn up?

I wonder, in fact, if Corbyn knows anything of the history of the Cenotaph. If he does then I cannot see why he should feel it his political and moral duty to break ranks and, in doing so, offend a great many of those people who regard the memorial in Whitehall as a place for national mourning rather than a ...

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A centerpiece of Mike Leigh’s acclaimed film, Mr Turner, is the artist’s painting of a once proud Royal Navy ship of the line, the HMS Temeraire, being towed up the Thames on its last voyage. It is heading for a breaker’s yard at Rotherhithe where it will be stripped of its oak and other timbers and sold off to make snuff boxes, householder furniture and a variety of domestic items. The end of the Temeraire is especially poignant as it was credited with saving Nelson’s ship HMS Victory when it beat off an attack from Spanish and French ships at the Battle of Trafalgar in 1805. It has been suggested that for Turner, fascinated by ships and the sea, the demise of the Temeraire reflected in some profound ways his own life. He was a young man at the time of Trafalgar and Nelson’s victory mirrored his own success as a painter: Turner was a prodigy who became wealthy early on his canvasses sought after by rich patrons. At the time of the breaking up of the Temeraire ...

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The release of a film about the one-time porn star Linda Lovelace brings back a not entirely happy family memory. I think it must have been in 1974 when my father was writing theatre criticism for the magazine Encounter that he got an invitation from a man called Jimmy Vaughan to view a film he had imported illegally with the puzzling title Deep Throat. I think he contacted my father because he had written an amusing tongue in cheek ( as it were) review of Oh Calcutta! ( a pun on the French, meaning " what an arse you have"). My father was invited to a screening of the film in a small studio in Wardour Street and he thought to invite a few family and friends along. It was, I have to say, an eye opener. I read journalists now suggesting it was "tame" and we would not be shocked by it now. But it was not tame at all. There was a general sense of unease as the first film reel went through and then the lights went up while the second reel was put up. I don't recall how many of us were there ...

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